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Genre Spotlight

62 Music Videos That Defined Hip-Hop Since 2010

Hip-hop didn't just dominate the charts over the last 15 years — it redefined what a music video could be. From Kendrick Lamar's painterly symmetry to Childish Gambino's unbroken social commentary, from Missy Elliott's CGI fever dreams to Drake giving away a million dollars on camera, these are the visuals that turned rap into the most cinematic genre in music. Every video here pushed boundaries — of budget, of technique, of what you thought you'd see in a four-minute clip.

March 2026 · 12 min read

Kendrick Lamar & SZA — luther
1

Kendrick Lamar & SZA — “luther

2025 · dir. Unknown

Kendrick and SZA keep the focus on chemistry and mood, staging the record with restrained lighting and a nostalgic, classic-soul softness.

Performance VideoCross CuttingSoft Lighting
Eminem — Houdini
2

Eminem — “Houdini

2024 · dir. Rich Lee

Eminem literalizes his own comeback as a superhero crossover, reviving Slim Shady through bright comic-book effects and self-referential chaos.

VFX HeavySplit ScreenComic Book Compositing
Kendrick Lamar — Not Like Us
3

Kendrick Lamar — “Not Like Us

2024 · dir. Dave Free and Kendrick Lamar

Kendrick frames the track as a citywide victory procession, building force from neighborhood locations, crowd participation, and coolly controlled flexes.

SteadicamDocumentary FootageGroup Choreography
Bad Bunny — WHERE SHE GOES
4

Bad Bunny — “WHERE SHE GOES

2023 · dir. Stillz

Built around speed, models, and clean monochrome styling, the clip makes the track feel like a late-night runway sprint.

Fashion FramingSlow MotionPerformance Video
Bad Bunny — Monaco
5

Bad Bunny — “Monaco

2023 · dir. Stillz

Bad Bunny wraps the song in race-day opulence, using luxury cars and clipped performance fragments to sell status as pure velocity.

Wide-Angle LensCar RigSlow Motion
Doja Cat — Paint the Town Red
6

Doja Cat — “Paint the Town Red

2023 · dir. Nina McNeely

Doja Cat turns backlash into a gleefully demonic procession of tableaux, using horror design and deadpan absurdity to weaponize controversy.

VFX HeavyPractical EffectsTracking Shot
Toosii — Favorite Song
7

Toosii — “Favorite Song

2023 · dir. Unknown

The video plays the song as a bruised young-love story, leaning on nightlife textures and slow-motion longing rather than flashy spectacle.

Handheld CameraSlow MotionNarrative Crosscutting
BLACKPINK — Shut Down
8

BLACKPINK — “Shut Down

2022 · dir.

The group quotes its own video history while flexing through art-gallery minimalism and luxury-car iconography.

ChoreographedSteadicam
BLACKPINK — Pink Venom
9

BLACKPINK — “Pink Venom

2022 · dir.

BLACKPINK lean into weaponized glamour, moving through monumental sets that fuse luxury detail with threat-display attitude.

ChoreographedVFX Heavy
Bad Bunny — Yonaguni
10

Bad Bunny — “Yonaguni

2021 · dir. Unknown

The video feels like a lonely travel log, bouncing between a cluttered apartment, martial-arts play, and underwater release.

Home Video FragmentsHandheld CameraUnderwater Shot
Cardi B — Up
11

Cardi B — “Up

2021 · dir. Tanu Muino

The video treats every bar like a costume change, bouncing through outlandish sets with cartoon velocity and attitude.

VFX HeavyFisheye LensSet Transitions
Doja Cat — Woman
12

Doja Cat — “Woman

2021 · dir. Child.

The video builds a self-contained world of queens, merchants, and warriors, treating the song as a playful but grand myth of feminine rule.

Processional StagingWide-Angle LensSet Transitions
LISA — MONEY
13

LISA — “MONEY

2021 · dir. Choi Yong-seok

A stark performance setup, money-green lighting, and controlled camera drift keep the focus on Lisa's precision and swagger rather than plot.

ChoreographedSteadicamHigh-Contrast / Chiaroscuro Lighting
Megan Thee Stallion — Thot Shit
16

Megan Thee Stallion — “Thot Shit

2021 · dir. Aube Perrie

A bureaucrat gets dragged into Megan's world in a gleefully nasty satire that weaponizes CGI absurdity and meme logic.

CGI HeavySatirical CrosscuttingLow-Angle Shot
BLACKPINK — How You Like That
17

BLACKPINK — “How You Like That

2020 · dir.

Massive sets and sharply segmented performance scenes turn the comeback into a show of force built on pose and formation.

ChoreographedVFX Heavy
Megan Thee Stallion — Body
20

Megan Thee Stallion — “Body

2020 · dir. Colin Tilley

Megan turns the song into a polished showcase of movement and confidence, keeping the frame centered on performance and self-possession.

ChoreographedGlamour LightingEnsemble Blocking
J. Cole — MIDDLE CHILD
21

J. Cole — “MIDDLE CHILD

2019 · dir. Mez

Cole frames himself as both contender and champion, keeping the visuals stripped to swagger, crowd energy, and big-room momentum.

Low-Angle ShotSports Arena StagingPerformance Video
Tyler, the Creator — EARFQUAKE
23

Tyler, the Creator — “EARFQUAKE

2019 · dir. Wolf Haley

Tyler's pastel dreamscape features him performing in surreal, symmetrical sets that shift between beauty and melancholy. The CGI enhancements are subtle but elevate every frame.

Crane ShotWide-Angle LensCGI / Visual EffectsTracking ShotStylized Color GradingSymmetrical Framing
BLACKPINK — DDU-DU DDU-DU
24

BLACKPINK — “DDU-DU DDU-DU

2018 · dir.

BLACKPINK brought hip-hop swagger to K-pop with military-precision choreography and VFX that made every member look like they were starring in their own action movie.

ChoreographedVFX Heavy
Cardi B — Money
25

Cardi B — “Money

2018 · dir. Jora Frantzis

Cardi stages wealth as pure theater, piling burlesque sets and old-Hollywood opulence into a maximalist flex.

Set TransitionsWide-Angle LensChoreographed
Childish Gambino — This Is America
26

Childish Gambino — “This Is America

2018 · dir. Hiro Murai

The video that broke the internet. Childish Gambino dances through escalating chaos in a single steadicam shot, turning a warehouse into a stage for America's contradictions. Every rewatching reveals new details.

SteadicamTracking ShotWide-Angle LensOne-Take / Long TakeShallow Depth of Field
Drake — Nice for What
27

Drake — “Nice for What

2018 · dir. Karena Evans

Karena Evans builds the song around women owning the frame, turning celebrity cameos into a loose, celebratory collage of confidence.

Star CameosTracking ShotGlamour Lighting
Drake — God's Plan
28

Drake — “God's Plan

2018 · dir.

Drake gave away almost a million dollars of the video's budget to strangers in Miami. The handheld, documentary-style footage turned genuine human joy into the video's entire visual language.

Handheld CameraMixed Media
Juice WRLD — Lucid Dreams
29

Juice WRLD — “Lucid Dreams

2018 · dir. Cole Bennett

Cole Bennett visualizes grief as floating debris and collapsing space, giving Juice WRLD's breakup spiral a lucid-dream logic.

VFX HeavyAnimationSlow Motion
Maroon 5 ft. Cardi B — Girls Like You
30

Maroon 5 ft. Cardi B — “Girls Like You

2018 · dir.

Maroon 5 and Cardi B hold court in a flowing steadicam take as a parade of women walk on and off a minimal set. Cardi's cameo alone makes it iconic.

ChoreographedSteadicamLong Take
Post Malone & Swae Lee — Sunflower
31

Post Malone & Swae Lee — “Sunflower

2018 · dir.

Built from Spider-Verse imagery and neon performance setups, the clip gives the song a breezy comic-book warmth that fits its cross-genre glide.

AnimationMixed Media
The Carters — APESHIT
32

The Carters — “APESHIT

2018 · dir. Ricky Saiz

Jay-Z and Beyoncé reframe the Louvre as a stage for Black power and wealth, turning museum stillness into a confrontational status statement.

Museum TableauxSymmetric FramingChoreographed
Travis Scott ft. Drake — SICKO MODE
33

Travis Scott ft. Drake — “SICKO MODE

2018 · dir. Dave Meyers

The song's beat switches become visual switchbacks too, with giant heads, inverted skylines, and arena-scale rap spectacle stacked on top of each other.

Set TransitionsDrone / Aerial ShotVFX Heavy
Kendrick Lamar — HUMBLE.
36

Kendrick Lamar — “HUMBLE.

2017 · dir. Dave Meyers & The Little Homies

Dave Meyers and the Little Homies created a series of iconic tableaux — Kendrick as the Pope, as a Last Supper figure, as a man being swallowed by the earth. The symmetrical framing and slow-motion made every frame a painting.

Slow MotionExtreme Close-UpHigh-Contrast / Chiaroscuro LightingCGI / Visual EffectsTracking ShotDutch Angle / Tilted FrameWide-Angle LensSymmetrical Framing
Kendrick Lamar — DNA.
37

Kendrick Lamar — “DNA.

2017 · dir. Nabil and The Little Homies

The clip traps Kendrick inside a tense interrogation chamber, translating the song's generational fury into compressed, confrontational imagery.

Split ScreenInterrogation LightingTight Closeups
Post Malone ft. 21 Savage — Rockstar
38

Post Malone ft. 21 Savage — “Rockstar

2017 · dir. Emil Nava

The video stages the song as a hyper-violent chanbara fantasia, using swordplay and arterial slow motion to make rap excess feel mythic.

Slow MotionSteadicamPractical Effects
Young Thug — Wyclef Jean
40

Young Thug — “Wyclef Jean

2017 · dir. Ryan Staake

Ryan Staake turns production failure into the concept itself, using text cards, stand-ins, and deadpan confessionals to make absence the joke.

Mixed MediaMockumentarySplit Screen
Anderson .Paak — Come Down
41

Anderson .Paak — “Come Down

2016 · dir. Calmatic

Anderson .Paak rips through the streets in an unbroken take, channeling James Brown–level energy. The handheld camera can barely keep up — and that's the whole point.

Handheld CameraOne-Take / Long TakeWide-Angle LensTracking Shot
BLACKPINK — WHISTLE
42

BLACKPINK — “WHISTLE

2016 · dir. Seo Hyun-seung

BLACKPINK's debut era already looks sharply controlled here, balancing sparse styling, fashion poses, and quick formal shifts.

Mixed MediaLow-Key LightingFashion Framing
BLACKPINK — BOOMBAYAH
43

BLACKPINK — “BOOMBAYAH

2016 · dir.

BLACKPINK's debut announcement was a statement of intent — aggressive choreography, rapid-fire editing, and an energy level that refuses to let up for a single second.

ChoreographedHandheld Camera
Beyoncé — Formation
44

Beyoncé — “Formation

2016 · dir. Melina Matsoukas

Shot in the aftermath of Hurricane Katrina and across the American South, Beyoncé's visual statement wove together drone shots, handheld intimacy, and jaw-dropping set pieces into a deeply political visual masterpiece.

Handheld CameraDrone / Aerial ShotSlow MotionWide-Angle LensStylized Color GradingOverhead / Bird's-Eye Shot
A$AP Rocky — L$D
45

A$AP Rocky — “L$D

2015 · dir. Dexter Navy

A$AP Rocky's ode to psychedelia unfolds as a blur of Tokyo nightlife, long exposures, and neon-drenched wandering. It's less a music video and more a fever dream — and it announced Rocky as a genuine visual artist.

Handheld CameraSlow MotionLong Exposure / Light TrailsNeon LightingTime-Lapse
Drake — Hotline Bling
46

Drake — “Hotline Bling

2015 · dir.

Drake turns stripped-down colored rooms into meme history, using dead-simple dance movement and negative space as the hook.

ChoreographedSteadicam
Kendrick Lamar — King Kunta
47

Kendrick Lamar — “King Kunta

2015 · dir. Director X

Kendrick turns the song into a neighborhood procession, using sidewalks, lowriders, and local faces to root swagger in place and community.

SteadicamStreet PerformanceLowrider Cruising
Kendrick Lamar — Alright
48

Kendrick Lamar — “Alright

2015 · dir. Colin Tilley

Kendrick floats above the city in stark monochrome images that balance police violence, spiritual endurance, and uneasy transcendence.

Black And WhiteCrane ShotSlow Motion
Missy Elliott — WTF (Where They From)
49

Missy Elliott — “WTF (Where They From)

2015 · dir. Dave Meyers

Missy Elliott's comeback was as visually inventive as anything she'd done. Fisheye lenses, CGI distortion, and Missy's choreography made this feel like a transmission from the future.

CGI / Visual EffectsFisheye LensWide-Angle LensStrobe Lighting
Rihanna — Bitch Better Have My Money
50

Rihanna — “Bitch Better Have My Money

2015 · dir. Megaforce

Rihanna stages the song as a pulpy hostage thriller, using luxury settings and lurid violence to make every frame feel like a tabloid nightmare.

Narrative CrosscuttingWide-Angle LensShock Cutting
Flying Lotus ft. Kendrick Lamar — Never Catch Me
53

Flying Lotus ft. Kendrick Lamar — “Never Catch Me

2014 · dir. Hiro Murai

Two kids dance through a funeral and into the afterlife in this Hiro Murai–directed masterpiece. The steadicam follows them with ghostly patience, creating something profoundly moving.

SteadicamTracking ShotSlow MotionHandheld Camera
Katy Perry ft. Juicy J — Dark Horse
54

Katy Perry ft. Juicy J — “Dark Horse

2014 · dir.

Ancient Egypt gets the pop-CGI treatment as Katy Perry plays every pharaoh trope imaginable. Juicy J brings the hip-hop credibility while the VFX team goes completely unhinged.

VFX HeavyChoreographed
Nicki Minaj — Anaconda
55

Nicki Minaj — “Anaconda

2014 · dir. Colin Tilley

Colin Tilley turns the song into a comic-book striptease, stacking jungle motifs, candy color, and deliberate excess into a meme-ready spectacle.

ChoreographedSlow MotionLow-Key Lighting
Eminem ft. Rihanna — The Monster
56

Eminem ft. Rihanna — “The Monster

2013 · dir. Rich Lee

The video replays Eminem's old personas as treatment-room visions, turning the collaboration into a confrontation with fame and self-mythology.

Mixed MediaFlashback MontageVFX Heavy
Kanye West — Bound 2
57

Kanye West — “Bound 2

2013 · dir. Nick Knight

Kanye West embraces obvious compositing and melodramatic biker iconography, turning the song into a knowingly overblown fantasy postcard.

Green ScreenSlow MotionTracking Shot
Tyler, the Creator — Yonkers
58

Tyler, the Creator — “Yonkers

2011 · dir. Tyler, the Creator

Tyler strips the frame down to a rope, a stool, and unnerving stillness, making the video's provocations hit harder through severe simplicity.

Black And WhiteStatic FramingSingle Take Illusion
Eminem ft. Rihanna — Love the Way You Lie
59

Eminem ft. Rihanna — “Love the Way You Lie

2010 · dir. Joseph Kahn

Joseph Kahn turns the song's toxicity into a bruised relationship drama, balancing star performance with tabloid-scale narrative intensity.

Cross CuttingSlow MotionPractical Effects
OutKast — Hey Ya!
60

OutKast — “Hey Ya!

2003 · dir.

Styled like a Beatles TV-performance parody, the clip splits Andre 3000 into a full band and turns the song into an explosion of charisma.

Split ScreenChoreographed
Eminem — Without Me
61

Eminem — “Without Me

2002 · dir.

Eminem ricochets through superhero parody and tabloid spoof, using costume gags to keep the diss-track energy constantly moving.

Mixed MediaVFX Heavy
Beastie Boys — Sabotage
62

Beastie Boys — “Sabotage

1994 · dir.

Shot as a fake 1970s cop show, the video converts rap-rock chaos into one of the funniest concept clips of the MTV era.

Handheld CameraPOV