← Back to Blog

Visual Breakdown

The Most Visually Stunning Music Videos of the 2020s

The 2020s changed what a music video could look like. CGI stopped being a crutch and became a canvas. Chroma-key went from green-screen cheapness to full-blown digital worlds. Drone shots made God's-eye perspectives feel intimate. And a new generation of directors proved that visual ambition and emotional resonance aren't mutually exclusive. These are the music videos that made us hit pause just to stare at a single frame.

March 2026 · 10 min read

Ariana Grande — We Can't Be Friends
1

Ariana Grande — “We Can't Be Friends

2024 · dir. Christian Breslauer

Grande borrows Eternal Sunshine iconography to turn the breakup into a memory-deletion melodrama built on chrome surfaces and emotional distance.

Mixed MediaVFX HeavyTracking Shot
Dua Lipa — Illusion
2

Dua Lipa — “Illusion

2024 · dir. Tanu Muino

Set around a vast aquatic complex, the video uses coordinated movement and gliding camera paths to make the song feel expensive and frictionless.

Drone / Aerial ShotChoreographedTracking Shot
Eminem — Houdini
3

Eminem — “Houdini

2024 · dir. Rich Lee

Eminem literalizes his own comeback as a superhero crossover, reviving Slim Shady through bright comic-book effects and self-referential chaos.

VFX HeavySplit ScreenComic Book Compositing
Sabrina Carpenter — Espresso
4

Sabrina Carpenter — “Espresso

2024 · dir. Dave Meyers

The video plays like a cheeky postcard from a made-up vacation, using bright coastal setups and deadpan comedy to match the song's caffeine-high charm.

Wide-Angle LensChoreographedDrone / Aerial Shot
Shakira & Cardi B — Puntería
5

Shakira & Cardi B — “Puntería

2024 · dir. Hannah Lux Davis

Shakira and Cardi B turn flirtation into a high-concept fantasy, filling the frame with mythic costuming, arrows, and heavily designed dream spaces.

ChoreographedVFX HeavyTracking Shot
aespa — Supernova
6

aespa — “Supernova

2024 · dir. Unknown

aespa leans fully into digital-world spectacle, using synthetic textures and abrupt visual escalations to match the song's explosive hook.

VFX HeavySet TransitionsGroup Choreography
Doja Cat — Paint the Town Red
7

Doja Cat — “Paint the Town Red

2023 · dir. Nina McNeely

Doja Cat turns backlash into a gleefully demonic procession of tableaux, using horror design and deadpan absurdity to weaponize controversy.

VFX HeavyPractical EffectsTracking Shot
SZA — Kill Bill
8

SZA — “Kill Bill

2023 · dir. Christian Breslauer

SZA folds the song into a Kill Bill-inspired revenge narrative, using stylized violence and genre-reference play to sharpen its dark humor.

Martial Arts ChoreographySplit ScreenVFX Heavy
BLACKPINK — Pink Venom
9

BLACKPINK — “Pink Venom

2022 · dir.

BLACKPINK lean into weaponized glamour, moving through monumental sets that fuse luxury detail with threat-display attitude.

ChoreographedVFX Heavy
BTS — Permission to Dance
10

BTS — “Permission to Dance

2021 · dir.

Open-air locations and inclusive choreography recast the song as a feel-good invitation to move together after isolation.

ChoreographedDrone
Cardi B — Up
11

Cardi B — “Up

2021 · dir. Tanu Muino

The video treats every bar like a costume change, bouncing through outlandish sets with cartoon velocity and attitude.

VFX HeavyFisheye LensSet Transitions
Doja Cat ft. SZA — Kiss Me More
12

Doja Cat ft. SZA — “Kiss Me More

2021 · dir. Warren Fu

Doja and SZA turn flirtation into a candy-colored alien fantasy, wrapping the song in vintage sci-fi textures and cartoon sensuality.

VFX HeavyGreen ScreenChoreographed
Megan Thee Stallion — Thot Shit
15

Megan Thee Stallion — “Thot Shit

2021 · dir. Aube Perrie

A bureaucrat gets dragged into Megan's world in a gleefully nasty satire that weaponizes CGI absurdity and meme logic.

CGI HeavySatirical CrosscuttingLow-Angle Shot
Normani ft. Cardi B — Wild Side
16

Normani ft. Cardi B — “Wild Side

2021 · dir. Tanu Muino

Normani treats every setup like a magazine cover in motion, combining impossible poses, body control, and luxe digital fantasy.

ChoreographedVFX HeavySoft Lighting
The Kid LAROI & Justin Bieber — Stay
17

The Kid LAROI & Justin Bieber — “Stay

2021 · dir. Colin Tilley

Time-stutter effects and restless apartment blocking turn the song into a small-scale sci-fi romance about wanting to freeze one perfect moment.

Time-LapseTracking ShotVFX Heavy
aespa — Next Level
18

aespa — “Next Level

2021 · dir. Paranoid Paradigm

The video is pure lore delivery through spectacle, stacking digital environments and glossy choreography into a synthetic rush.

VFX HeavySet TransitionsGroup Choreography
BLACKPINK — How You Like That
19

BLACKPINK — “How You Like That

2020 · dir.

Massive sets and sharply segmented performance scenes turn the comeback into a show of force built on pose and formation.

ChoreographedVFX Heavy
Dua Lipa — Physical
21

Dua Lipa — “Physical

2020 · dir. Canada

The clip fuses fitness-video iconography with surreal graphic interventions, giving the song a maximalist exercise-tape fever dream.

Split ScreenAnimation HybridHigh-Contrast / Chiaroscuro Lighting
Dua Lipa — Levitating
22

Dua Lipa — “Levitating

2020 · dir. Warren Fu

Dua Lipa enters a chroma-key wonderland of split-screen choreography and CGI set pieces. The color grading shifts with every scene, turning the screen into a kaleidoscope of disco-pop energy.

Chroma Key / Green ScreenSplit ScreenTracking ShotWide-Angle LensCGI / Visual EffectsStylized Color Grading
Four Tet ft. Ellie Goulding — Baby
23

Four Tet ft. Ellie Goulding — “Baby

2020 · dir. Joanna Nordahl

The video races across landscapes in a vertiginous drone tour that turns the song into pure movement, speed, and color.

FPV DroneAerial PhotographyLandscape Montage
Glass Animals — Heat Waves
24

Glass Animals — “Heat Waves

2020 · dir. Colin Read

Glass Animals dissolve reality with CGI and projection mapping, creating a world where buildings melt and neon light bends to the music. Handheld intimacy mixed with digital surrealism.

CGI / Visual EffectsProjection MappingNeon LightingHandheld Camera
Ariana Grande — 7 Rings
25

Ariana Grande — “7 Rings

2019 · dir.

Ariana Grande turned excess into an art form with VFX-heavy set pieces dripping in pink, champagne, and diamond-encrusted everything. A masterclass in maximalist visual storytelling.

ChoreographedVFX Heavy
FKA twigs — Cellophane
26

FKA twigs — “Cellophane

2019 · dir. Andrew Thomas Huang

FKA twigs pole-dances into a CGI abyss in one of the most emotionally raw music videos of the decade. The crane shots and VFX create a world that's equal parts beautiful and terrifying.

Crane ShotCGI / Visual EffectsSlow MotionWide-Angle LensSilhouette LightingOverhead / Bird's-Eye Shot
Tyler, the Creator — EARFQUAKE
27

Tyler, the Creator — “EARFQUAKE

2019 · dir. Wolf Haley

Tyler's pastel fever dream features crane shots floating through symmetrical sets that feel pulled from a Wes Anderson film directed by a synth-pop alien. CGI accents add dreamlike surrealism.

Crane ShotWide-Angle LensCGI / Visual EffectsTracking ShotStylized Color GradingSymmetrical Framing
Ariana Grande — God is a woman
28

Ariana Grande — “God is a woman

2018 · dir. Dave Meyers

Grande cycles through religious and cosmic imagery to pitch feminine power as something mythic, sensual, and impossible to contain.

VFX HeavyTableaux StagingChoreographed
Ariana Grande — no tears left to cry
29

Ariana Grande — “no tears left to cry

2018 · dir. Dave Meyers

Grande climbs walls and flips gravity in a dreamlike cityscape that turns recovery into buoyant, impossible movement.

Rotating SetsGravity Defying VFXTracking Shot
BLACKPINK — DDU-DU DDU-DU
30

BLACKPINK — “DDU-DU DDU-DU

2018 · dir.

VFX-heavy and choreographically relentless, BLACKPINK's breakthrough video set the template for how K-pop groups could match hip-hop's visual ambition.

ChoreographedVFX Heavy
BTS — IDOL
31

BTS — “IDOL

2018 · dir.

The group moves through hyper-saturated tableaux and digital collage effects that push the song into full visual overload.

ChoreographedMixed MediaVFX Heavy
Gambino (Donald Glover) — Feels Like Summer
34

Gambino (Donald Glover) — “Feels Like Summer

2018 · dir. Hiro Murai & Ivan Dixon

Donald Glover swapped live-action for hand-drawn 2D animation, depicting a day in a cartoon neighborhood. The visual style channels classic Saturday-morning cartoons to deliver surprisingly poignant social commentary.

Animation2D Animation
Juice WRLD — Lucid Dreams
35

Juice WRLD — “Lucid Dreams

2018 · dir. Cole Bennett

Cole Bennett visualizes grief as floating debris and collapsing space, giving Juice WRLD's breakup spiral a lucid-dream logic.

VFX HeavyAnimationSlow Motion
Post Malone & Swae Lee — Sunflower
36

Post Malone & Swae Lee — “Sunflower

2018 · dir.

Built from Spider-Verse imagery and neon performance setups, the clip gives the song a breezy comic-book warmth that fits its cross-genre glide.

AnimationMixed Media
Travis Scott ft. Drake — SICKO MODE
37

Travis Scott ft. Drake — “SICKO MODE

2018 · dir. Dave Meyers

The song's beat switches become visual switchbacks too, with giant heads, inverted skylines, and arena-scale rap spectacle stacked on top of each other.

Set TransitionsDrone / Aerial ShotVFX Heavy